The work of Antonio Guerra (Zamora, 1983) is based on an interdisciplinary approach to photography in order to reflect upon construction interventions on contemporary landscape and its transformation processes. He usually offers different views on natural environment and its imaginary, interpreting landscape as an ideological construction while making a statement on the conservation of nature and the traces of human activity. The artist has presented solo exhibitions at DA2, Centro Niemeyer, Sala Amárica in Vitoria and Centro Leonés. He has also been included in numerous group shows, such as the “Biennial of Mediterranean Artists” (Ancona and Thessaloniki), “Encontros Da Imagem” in Braga (Portugal), “Breda Photo” (Holland), the Spanish Embassy in Havana (Cuba) or the Cervantes Institute in Madrid. Antonio Guerra has received grants from MUSAC in León, Casa Velázquez, Pilar Juncosa & Sothebys (Joan Miró Foundation), Fundación Villalar, Comunidad de Madrid, VEGAP, AlNorte and EFTI, among others.
Antonio Guerra
Comportamiento para un simulacro 10, 2020
Fotografía color. Tintas pigmentadas papel Hahnemüle Baryta 310 g+dibond+moldura perimetral
122 x 170 cm (Ed. de 5)
Antonio Guerra
Erosión, 2021
Fotografía color. Tintas pigmentadas sobre papel Hahnemüle Baryta 310 g
48 x 33 cm (c.u.) (Ed. de 5)
Antonio Guerra
Horizonte de sucesos, 2021
Roca pizarra y tintas pigmentadas en papel Hahnemühle
67 x 24 x 6 cm
Antonio Guerra
Comportamiento para un simulacro 7, 2020
Fotoescultura/instalación
100 x 150 x 40 cm (Ed. de 3)
Antonio Guerra
Comportamiento para un simulacro 9, 2020
Fotoescultura/instalación
100 x 75 cm (Ed. de 3)
Antonio Guerra
Comportamiento para un simulacro 5, 2020
Fotografía color. Tintas pigmentadas papel Hahnemüle Baryta 310 g+dibond+moldura perimetral
100 x 72 cm (Ed. de 5)
Antonio Guerra
Comportamiento para un simulacro 6, 2020
Fotografía color. Tintas pigmentadas papel Hahnemüle Baryta 310 g+dibond+moldura perimetral
100 x 67 cm (Ed. de 5)
Antonio Guerra
Comportamiento para un simulacro 4, 2020
Fotografía color. Tintas pigmentadas papel Hahnemüle Baryta 310 g+dibond+moldura perimetral
100 x 72 cm (Ed. de 5)
Antonio Guerra
Comportamiento para un simulacro 8, 2020
Fotografía color. Tintas pigmentadas papel Hahnemüle Baryta 310 g+dibond+moldura perimetral
100 x 140 cm (Ed. de 5)
(SELECTION)
Huércanos, Juan Pablo: “Parecer paisaje”. Fundación Aratzazu Gaur, Guipúzcoa, 2019
Dalmau, Carmen: “Horizonte de sucesos”. Instituto Leonés de Cultura, 2020
Delgado Mayordomo, Carlos: “Comportamiento para un simulacro”. Sala Amárica, Vitoria, 2019
Panera, Javier: “Less time than place”. Museo DA2, Salamanca, 2013
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